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2003

came  the  Breakthrough  —  he  became  Animal  of  the  Year

Yet  Wolf  remains  Wolf

Furtive  &  Shy  —  And  Darned  Persistent

 

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). A Roaming Wolf. In a rocky landscape. Etching & engraving. (1740.) Inscribed: J. E. Ridinger inv. fec. et exc. A. V. / N. 68., title in German as before. 18.5 x 14.5 cm. – Thienemann & Schwarz 458. – Plate 68 of the instructive set Design of Several Animals. – Large figurative watermark. – Wonderful wide-margined impression of the 1st edition. – See the complete description.
Offer no. 7,314 / EUR  175. (c. US$ 230.) + shipping

 

– – – The same, yet colored by later hand in attractive fitting palette as quite unusual for original impressions. – Impression of the 1st edition on fine laid paper.
Offer no. 15,738 / EUR  180. (c. US$ 237.) + shipping

 

Wolves  in  Misty  Sphere

Ernest Bellecroix, Wolves in Mist

—  getting  Wind  as  Occasion  demands

Two of them by moon just showing through before but ghostly perceptible farm. Wood engraving by Jules Huyot (Toulouse 1841 – Paris after 1882) after Ernest Bellecroix (active 1863-1877? in France). C. 1870. Inscribed: Er. Bellecroix / Huyot., otherwise in German as above. 14.8 x 21.8 cm. – Impression of 1873. – See the complete description.
Offer no. 11,221 / EUR  65. (c. US$ 86.) + shipping

 

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). A Wolf lurking for Prey. Half covered by the low branches of an old oak tree. Colored etching & engraving. (1740.) Inscribed: J. E. R. fec. / N. 69., otherwise in German as above. 18.5 x 15.1 cm. – Thienemann & Schwarz 459. – Plate 69 (in later edition 59) of the Design of Several Animals. – Impression of the 1st edition on fine laid paper. – Colored by later hand in attractive fitting palette as quite unusual for original impressions.
Offer no. 15,739 / EUR  170. (c. US$ 224.) + shipping

 

Johann Elias Ridinger, Wolves

Decidedly  “ Blood-curdling  Scene ”  (Th.)

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). Loups de 3. ou 4. ans et qui sont d’une age accomplie ont 8. ou 9. petis et vivent a 20. ans. Wolves of 3-4 Years and full-grown ones have 8-9 Whelps, live up to 20 Years. Five howling wolves amidst an especially fine rocky scenery. Etching and engraving. (1736.) Inscribed: 21. / Cum Priv. Sac. Cæs. Majest. / I. El. Ridinger invent. delin. Sculps. et excud. Aug. Vind. 34.5 x 42 cm.

Thienemann & Schwarz 216. – Sheet 21 of the Study of the Wild Animals. – Title in German-French-Latin parallel text. – 14-lines caption by Brockes in German. – Margins on three sides 2.7-3.2, on the right 5.5 cm wide. – The just also in regard of the landscape exceedingly beautiful scenario in an impression of shining-marvelous quality and therefore rarity. – See the complete description.
Offer no. 15,589 / EUR  690. / export price EUR  656. (c. US$ 864.) + shipping

 

– The same as unused rotogravure postcard after Ridinger at Felsing, Berlin. C. 1900-1920. 9.1 x 14.1 cm.
Offer no. 28,466 / EUR  29. (c. US$ 38.) + shipping

 

Johann Elias Ridinger, Wolf consuming the Prey

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). A Wolf consuming the Prey. Breaking up with lust a roebuck on a clearing in the woods. Colored etching & engraving. (1740.) Inscribed:J. E. R. fec. / N. 70., otherwise in German as above. 18.4 x 15.1 cm. – Thienemann & Schwarz 460. – Plate 70 (in later edition 58) of the Design of Several Animals. – Watermark fleur de lis. – Impression of the 1st edition on fine laid paper. – Colored by later hand in attractive fitting palette as quite unusual for original impressions.
Offer no. 15,740 / EUR  180. (c. US$ 237.) + shipping

 

The  Hunting  of  the  Wolf

Front left with the gun with depiction of the use of the ramrod, too, besides an already killed one. In the center two following the carrion of a sheep dragged by a horseman, observed by a huntsman sitting in a tree. Set back another one catched in the trap shall be slain, alternatively killed with the pike. Etching by Egbert Jansz (? late 16th century) after Antonio Tempesta (Florence 1555 – Rome 1630). 10.5 x 14 cm.

Antonio Tempesta, Hunting the Wolf

From the collection EK (not in Lugt) with its round stamp on the back, almost identical with the mark CK (L. 583) of the Carl König Collection, Vienna, known for paintings, drawings, and objects d’art. – No. 12 of the 18-sheet collection with repeated numbers by a contemporary, presumably Netherlandish copyist available here with provenance EK on uniformly fine, wide-margined laid paper, partly with watermark Amsterdam coat of arms flanked on one side by lion. Below predominantly with wide white platemark with just the number at the right, what points to

early  impressions  before  the  letter .

The more so as in the few cases of only narrow margin the number appears directly in the image itself.

Highly  instructive  and  also  painterly  sheet

worked after one of the numerous Tempesta sets, e. g. the equal-sized Primo libro di Caccie varie (“This set was nicely copied, too”, Nagler), the collector’s reference to the first/second of the totally four Christoffel van Sichems (c. 1546-1624 and c. 1581 – before 1658 resp.) under providential inclusion of the contemporary Karel, too, seems not plausible based on the knowledge of their work here. More interesting in this regard should be Egbert Jansz, little known in his circumstances, of whom de Brys in Frankfort/Main published a collection “Icones Venantum Species Varias … per Antonium Tempestinum” in 1598 which Schwerdt I, 266 lists with 11 sheets, Thieme-Becker with 12 and Wurzbach with only 6 sheets. Not impossible that there are even more. These with 12 x 17 cm somewhat larger, however, and without numbering. Otherwise Schwerdt: Egbert Jansz was perhaps the best of those engravers who reproduced these and similar hunting scenes by Tempesta.
Offer no. 28,558 / EUR  135. (c. US$ 178.) + shipping

 

Ditto next to a flock of sheep before a building by use of sword and pikes, the pursuit by horse, and

the  driving  into  the  net .

In the large group in front the attacked wolf still charges the horse. Quite in the back a village with steeple. Etching as before. 10.8 x 14 cm. – Sheet 9. – See the complete description.
Offer no. 28,559 / EUR  125. (c. US$ 165.) + shipping

 

– Wolf Pack among the Cattle, Goats, and Sheep of an Alp next to a property, in front of which two shepherds with dog do not take any note of all that. Etching as before. 9.3 x 14.7 cm. – Sheet 9. – With the watermark Amsterdam coat of arms with lion. – See the complete description.
Offer no. 28,560 / EUR  99. (c. US$ 130.) + shipping

 

The  Iron
mounted  on  a  Chain  strangles  the  Neck

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). The Wolf in the Iron Trap. Etching & engraving. (1750.) Inscribed: Joh. El. Ridinger inv. del. sculps. et excud. Aug. Vind., otherwise in German as before. 24.9 x 36.4 cm.

Johann Elias Ridinger, Wolf in the Iron Trap

Thienemann & Schwarz 85; Schwerdt III, 135, 17 (“A rare set, of importance to those who are interested in the various methods of trapping wild animals”). – Sheet 17 of the 30-sheet set “Ways to catch the Wild Animals”, regarded by Halle in Munich in 1928 as the “Rarest of all hunting sets by Ridinger” (LXVIII/323). – Instructive 6-line caption. – Rich in contrast. – Repairs in the left margin and below left partly touching also still the white platemark.
Offer no. 28,010 / EUR  445. / export price EUR  423. (c. US$ 557.) + shipping

 

The  Wolf  is  already  seized  by  the  Throat

Mountain Dogs Fighting with a Wolf. From the chalet the herdsman comes along with his gun. Toned wood engraving after Friedrich Specht (Lauffen on the Neckar 1849 – Stuttgart 1909) for A. Cloß, Stuttgart. (1875/76.) Inscribed: FSpecht (ligated), otherwise typographically in German as above. 27.3 x 20.3 cm. – See the complete description.
Offer no. 9,549 / EUR  84. (c. US$ 111.) + shipping

 

Loups, Une Battue aux. In the fore one of the hunters has seized a wolf by the hind leg and aims at it. The pack coming along. Toned wood engraving by Jules Huyot (Toulouse 1841 – Paris after 1882) after Jean Edouard Dargent, called Yan’Dargent (St.-Servais, Brittany, 1824 – Paris 1899). C. 1870. 31.5 x 21.7 cm. – See the complete description.
Offer no. 6,150 / EUR  118. (c. US$ 155.) + shipping

 

Isengrim. Before wintry wood looking at the beholder. Wood engraving by Jules Huyot (Toulouse 1841 – after 1882) after Jules Gélibert (Bagnères-de-Bigorre/Hautes-Pyrénées 1834 – 1916). C. 1870. Inscribed: Jhuyot. / Jules Gélibert, otherwise in German as above. 14.8 x 21.8 cm. – See the complete description.
Offer no. 11,220 / EUR  65. (c. US$ 86.) + shipping

 

The First of which already falling into the Pit

A  Unique  Drawing  of  Highest  Quality

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). To catch the Wolf in the Pit with the Sheep. Against the scenery of a mountainous landscape with stock of trees the wolf trap. Erected in its midst a pole with a wheel on top on which a lamb lies whose bleating baited four wolves, the first one already falling into the pit. Pen and brown ink with grey wash. C. 1729. Inscribed in graphite on the back: Der Wolf in der Grube zu fangen mit dem Schafe. 292-295 x 422-423 mm.

Johann Elias Ridinger, To catch the Wolf in the Pit

On light laid paper with surrounding margins up to 17 mm wide. – Pinhead-small little hole, smoothed folds athwart and along resp., and generally somewhat age-marked, yet practically not impairing the fine general impression. Foxspots blotted quite faintly from the previous mounting carton except for one perceptible on the back only.

Pictorially  absolutely  perfectly  executed  splendid  work

as original drawing  before  being re-drawn in reverse for the transfer onto the plate for the etching of the same name Th. 41 as the large version of the two wolf pit sheets for the set Princes’ Hunting Pleasures published since 1729 and in such complete execution in relation to a print

ranking  with  the  greatest  rarities  today  also  in  Ridinger’s  œuvre .

See the complete description.
Offer no. 15,450  /  price on application

 

The  Wolf  Hunt  as  First  Didactic  Piece

Thoman(n) von Hagelstein, Ernst Philipp (1657 Augsburg 1726). Didactic Pieces of Hunting. Set of 4 sheet. Mezzotints printed in brown. Sheet 1 inscribed: E. P. Thoman. excudit. 35.2 x 49.7 cm (sheets 1-3) subject size 34.3-35 x 49-49.4 cm.

Schwerdt III, 171, a (Baillie-Grohman’s copy; “A complete and interesting set”). – For fitting into an album three sides trimmed to platemark (only sheet 4 with fine margin) and below under loss of the German quatrains & numbering (Schwerdt: N.1–N.4), mounted by old on laid paper and lined in brown ink. In the white upper margin old inventory inscription (Nro 1, 7, 8, 6/Tom: X/Fol 88, 94, 95, 93), also in brown ink. – Smoothed centerfold.

Pictorially  &  instructively  marvelous  set

of  complete  extraordinary  rarity

(here only the Schwerdt-Baillie-Grohman copy proven) in the fine impressions of a comprehensive old collection, richly nuanced in its chiaroscuro and, as all mezzotints by Ernst Philipp – “one of the best artists of his time”, Nagler –, even in single sheets, as here in 52 years also not been present, extraordinarily rare. So then also only one further sheet among the about 27,600 of sections I-XXVIII of Weigel’s Art Stock Catalog (1838/57; per 6,211 the portrait Rauner as also only one known to Nagler, and per 19,715 a Marten, robbing a Pigeon’s Nest by the son Tobias Heinrich.

Wolf  Hunt

Ernst Philipp Thoman, Wolf Hunt

In the foreground three wolves at the pegged billy-goat shielded by two huntsmen as bait, one of them already shot; in the center a carrion dragged by a horseman with also two wolves greeted by three huntsmen; in the background at a property the hunt by a pack and hands, the latter armed with pike, flail, and net. – Laterally right quite slightly rubbed and hair-like tiny fold. – Besides fox hunt , hare hunt, as well as badger & hedgehog hunt.

Beyond the individual-specific rarity of at the same time general scarceness as result of the mezzotint technique itself. Already in 1675 the expert von Sandrart numbered “clean prints” of the velvety mezzotint manner at only about “50 or 60” (!). “However, soon after (the picture) grinds off for it does not go deeply into the copper”. Correspondingly then 1856 Thienemann with regard to Ridinger :

“ The mezzotints are almost not to be acquired on the market anymore … and the by far largest part (of them) … (I have) only found (in the printroom) at Dresden. ”

See the complete description.
Offer no. 28,415  /  price on application

 

“ Just  as  the  Wolf
is  a  very … Cunning  Animal ”

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). La Trape du Loup. The Wolf Trap or Pit. “Just as the wolf is a very voracious hungry and cunning animal, so by good sportsmen

its  cunning  is  betrayed  by  counter-cunning … ”

In mountainous landscape four wolves strive for a living duck or goose on a wolf disk, expected by three hunters lying in wait and their Alsatian. Etching & engraving. (1729.) Inscribed: avec privil. de Sa. Majeste Imperl. / Ioh. El. Ridinger inv. pinx. sculps. et excud. A.V. /, otherwise as above and with German-French didactic text. 30.1 x 22.7 cm.

Johann Elias Ridinger, Wolf Trap or Pit

Thienemann & Schwarz 18; Catalog Weigel XXVIII (1857), Ridinger appendix 3A. – From the unnumbered 36-sheet Princes’ Pleasure , listed by literature as its 6th sheet, and here one of the 8 small-sized ones as apparently conceived intentionally by Ridinger and rather not meant as pilot projects as Thienemann assumes.

A 1728 drawing on the market in the late 50s of corresponding size, pictorially still deviating – only one wolf, no hunters – was inscribed as How the Wolf is brought onto the Disk with the Goose and catched in the pit. However, the repetition of the same sujet Th. 84 of the set of the Means to Capture of 1750 with otherwise the same text refers to a duck.

Early impression of deeply staggered chiaroscuro on full sheet (40.3 x 50.3 cm) in the meaning of Weigel’s A quality (“Old impressions with the original title. The paper has lines as watermark.”) with watermark Great Fleur-de-lis (Strasbourg?). In the interest of optically more balanced sheet proportions later the half-size sheets were printed on smaller paper not conforming to binding.
Offer no. 15,462 / EUR  590. / export price EUR  561. (c. US$ 739.) + shipping

 

– – – The Wolf. In dense forest pressed by a pack of 9, of which one is done. “He defends himself bravely, but he will be … defeated” (Th.). Etching & engraving. (1761.) Inscribed: J. E. Ridinger inv. del. sc. et exc. A.V. 28.7 x 25 cm.

Johann Elias Ridinger, Wolf

Thienemann & Schwarz 145. – Sheet 7 of The Fair Game hounded by Several Kinds of the Hounds. – With instructive and detailed caption

with  specification  by  name  of  the  various  hounds  suitable  to  this .

Silver-toned impression watermarked with cut “Thurneisen” mark as located at Basel and preferably used by Engelbrecht/Herzberg at Augsburg for their editions about 1824. – With wide margins of 5-7.5 cm above and below and 2.3-5 cm for the sides resp. – See the complete description.
Offer no. 28,116 / EUR  483. / export price EUR  459. (c. US$ 604.) + shipping

 

– – – The Wolf. Standing to the right on wooded rocky cliff. Below the explained large traces on soft and solid ground resp. together with specification of claws and pad. Toned lithograph by Hermann Menzler printed by A. Renaud for L. J. Heymann in Berlin. (1863-65.) Inscribed: Gez. v. J. E. Ridinger, lith. v. H. Menzler etc., otherwise in German as before. 35 x 23.1 cm.

Johann Elias Ridinger, Wolf (Menzler)

Sheet I, 16 from Menzler’s 80-sheet Joh. El. Ridinger’s Hunting Album in which he represents the model – here sheet 8 of the Fair Game, Th. 170 – partly freely or compressing their central motif, from which a first degree collection enrichment results. – In the pictorial effect the works correspond to the aquatint manner not used by Ridinger anymore. – The contusion in the buff wide-margined paper extending from left below the subject to the caption aside of impeccable freshness.
Offer no. 28,434 / EUR  345. / export price EUR  328. (c. US$ 432.) + shipping

 

– – – A Wolf Hunt. Bursting to the right out of the mountain forest and hunted and pursued and framed by nine hounds. Toned lithograph by Hermann Menzler printed by A. Renaud for L. J. Heymann in Berlin. (1863-65.) Inscribed: Gez. v. J. E. Ridinger, lith. v. H. Menzler etc., otherwise in German as above. 33.2 x 22.9 cm.

Johann Elias Ridinger, Wolf (Menzler)

(Joh. El. Ridinger’s Hunting Album II/17.) – After the sheet above of the Fair Game hounded by Several Kinds of Hounds, Th. 145, but without its extensive caption. – From the “(Album of Interesting Hunt and Group Pictures)” carried as 2nd part. – On strong, wide-margined paper of perfect freshness. – Contrary to the etching the top arch here stretched to a rectangle and thus additionally charming as collection enrichment. – See the complete description.
Offer no. 28.450 / EUR  330. / export price EUR  314. (c. US$ 413.) + shipping

 

“Among  Plenty  Kinds
there  also  is  one  of  the  best …”

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). Comme on attire les Loups par charogne. How the Wolf is brought about the Carrion. In picturesque winter forest “the hind leg of a dead horse has been hung up a little high, so that the wolves can reach it only by jumping. This now one of the three ones baited about has done, but already the [three] hunters hidden in ambush bang away” (Th.). Etching & engraving. (1729.) Inscribed: Pars Vta. / Avec privil de Sa Maj. Imperiale / Ioh. Elias Ridinger invent. pinx. Sculps. et excudit Aug. Vindel., otherwise as above and with German-French didactic text. 33.7 x 41.7 cm.

Johann Elias Ridinger, Wolf brought onto the Carrion

Thienemann & Schwarz 39; Catalog Weigel XXVIII (1857), Ridinger appendix 3A (“Old impressions with the original title. The paper has lines as watermark.”). – From the unnumbered early 36-sheet Princes’ Pleasure , listed by literature as its 27th sheet.

The preparatory drawing in pencil figured in the 1890 Wawra sale of A Fine Collection of Drawings and Engravings of Joh. El. Ridinger’s from the Estate of a Known Collector as lot 100, besides per 101 a not completed draft in chalk. An obviously further one in reverse in black chalk and pencil in Weigel’s catalog of 1869, Ridinger appendix 491, with but one hunter placed in addition on the right.

“Among plenty kinds there also is one of the best to extinct this predatory animal …” – Margins 3.2-4 cm wide. – Some faint little brown spots in the wide white paper margin and platemark (1) as well as acid-freely backed tiny tear in the white lower margin.

THE  AS  INSTRUCTIVE  AS  PAINTERLY  WINTER  SHEET

– not by chance already in 1901 Ernst Welisch qualified Ridinger as the  indisputably  “most  important  Augsburg  landscapist  of this time” –

IN  SPLENDID  IMPRESSION  OF  SHINING  CHIAROSCURO

as in such quality rare of old.
Offer no. 15,481 / EUR  1100. / export price EUR  1045. (c. US$ 1376.) + shipping

 

Joseph Georg Wintter, Stag attacked by Wolves

Wintter, Joseph Georg (1751 Munich 1789). The Stag of Odd 20 Points attacked by Wolves. In mountainous winter landscape with fence and set back farm one of the two wolves has grasped the stag by the throat while the half covered other one operates from behind. Etching. Sheet size 11.8 x 15.9 cm.

Niemeyer 127. – Not related to one of the sets if not belonging to Niem. 21-24, stags & boars attacked by hounds. – Also not entered into the 44-sheet Augsburg omnibus edition Schwerdt III, 190, a ( “Rare“ ) of 1821 the earliest. The 137-sheet complete edition Weigel 21336 (“Most sheets very rare”, 1857!) here not provable elsewhere.

His “etchings are excellent and are in the treatment between those by Hollar and Riedinger. In 1784 W. became electoral court and hunting engraver” (Nagler, 1863 pointing himself in vol. III, no. 68, of the Dictionary of Monogramists at the rarity of these fine sheets). – Impression rich in contrast on strong laid paper. – Below trimmed to platemark, otherwise hard by the edge of the subject.
Offer no. 15,665 / EUR  685. / export price EUR  651. (c. US$ 857.) + shipping

 

Loups au Carnage, Les. A flock of sheep and goat attacked by wolves in mountainous landscape. Toned wood engraving by Jules Huyot (Toulouse 1841 – Paris after 1882) after Jules Gélibert (Bagnères-de-Bigorre/Hautes-Pyrénées 1834 – Capbreton/Landes 1916). C. 1870. 22 x 32 cm. – Thieme-Becker XIII, 365: (Gélibert) produces almost exclusively animal and hunt pictures … – See the illustration.
Offer no. 6,149 / EUR  118. (c. US$ 155.) + shipping

 

As  can  be  seen  from  all  this

Jules Gélibert, Wolves massacre a Flock of Sheep

this  species  does  what  it  did  always .

So, as rememberable here for instance, in the early 2000s in Upper Lusatia, Saxony, with

27  sheep  in  one  night

being as he is

“ exceedingly bloodthirsty … Yet he slays much more than he can eat … Man he avoids as much as possible;

a  woman  or  child  he  may  well  attack ,

but on man usually only packs tormented by hunger go, not easily individual wolves.

He  shows  as  much  cunning , slyness  and  audacity

as the fox … incited by hunger he gets … bold, foolhardy and then defies any scarecrow … Usually the wolf of the tale presents himself

diabolically , now  deceitful  and  vicious , now  as  a  fool ”

(Meyer’s Konversations-Lexikon, 4th ed., XVI [1890], 721).

But that’s 122 years ago of course. And so among his protectors today it’s taken for granted :

Dangerous ?

The dog, indeed. The wolf never! And so he does not go on his own account his theme will stay pressing. Illustrating how this species does it generally :

In  always , out  never .

Turning  this  table  was custom once. And was engraved by Ridinger straight from the shoulder :

Johann Elias Ridinger, Entrance Wolf Park

The entrance of a Wolf Park. In moonlit thick forest place surrounded by high palisades with the wolf at the dead sheep, fuming with venom at the second one halting at the leap-off point. Etching & engraving. (1729.) Inscribed: Avec privil de Sa. Maj. Imp. / I. El. Ridinger inv. pinxit Sculps. et excud. Aug. Vind., otherwise as above along with multi-line caption in German & French. 34.4 x 42.8 cm.

Thienemann & Schwarz 40; Silesian Ridinger collection at Boerner XXXIX (1885), 1772 (only as new impression); Weitz, (Of the History of Hunting at the Vogelsberg), Museum Hunting Seat Kranichstein, 2006, full-page ills. p. 11.

The  instructive  painterly  fine  large  sheet

28 of the Princes’ Hunting Pleasure as Ridinger’s first hunting set transferred into copper by himself and additionally published by himself, conceived textbook-like, in a marvelous impression of also most finely wide margins: 3.5-6 cm above & below, 8.5-9.5 cm laterally, besides in the outer part, particularly below and right, slightly fox-spotted. Isolated tiniest tears in the lower margin backed acid-freely.

“ It has this with the entrance of the boar park (sheet 20 of the set) almost complete conformity … when he recognizes his arrest, he begins after consumed prey and to his custom to howl heart-rendingly through which one can perceive his arrest especially at night, catch the one alive or

bring  him  within  shot  with  great  pleasure ,

this invention is very good to catch many together, sporting words of him are partly these … and the like more. ”

Offer no. 15,017 / EUR  970. / export price EUR  922. (c. US$ 1214.) + shipping


„ vielen Dank für die schnelle und unkomplizierte Lieferung “

(Herr H.-G. S., 27. August 2008)